Ode to the Gourds (Including a Semi-Review of “Haymaker”)

The Gourds’ “Haymaker”So I’m listening to the Gourds new CD “Haymaker” this week.

This isn’t so much an indepth review of the CD (alright then – here’s the review: It’s good. Go buy it. You don’t really need me to tell you that, do you?) as it is a discussion of dem Gourds and how they make people happy.

You know how I know that? I listen to their stuff. I make my friends listen to their stuff. I make my kids listen to their stuff until they know all the lyrics. It’s good for their vocabularies. Even my cat likes to twist and juke to the Gourds. . .

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Jason Isbell & the 400 Unit

Jason Isbell & the 400 UnitJason and the 400 Unit put out a crazy good CD just a year or so ago called Sirens of the Ditch. It had "Brand New Kind of Actress" and "Dress Blues "and got plenty attention. I ordered it pre-released and it’s been played and played and I still love it and it still moves me.

The new self-titled album is a beautiful work of art. No, really, I bought the package deal from their website and got the album and an autographed CD. My record spinner is out of commission right now, but I had to have that big ol’ album, just for the cover art. Browan Lollar did it. Talk about multi-talented, this band’s got that wrapped. Jason’s just a wizard at everything.

The 400 Unit is Browan Lollar, Derry deBorge, Jimbo Hart and Matt Pence. They’re no slouches. Look them up, if you haven’t. Those of you who like to cherry-pick songs (which I still find kinda weird) try "Sunstroke" first. If you love it, try "Good" too. If you don’t think you love either of ‘em and you just wanna drink beer and get in touch with your inner cowboy, give a listen to "Cigarettes and Wine". If that don’t get ya, I’ll cry in my beer for you.

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Glitter and Doom… Tom Waits In Dallas

Tom Waits at The Palladium Ballroom, Dallas 6/23/08

I don’t usually make it out to shows on Monday night. But in this case, Tom Waits (Yes, that Tom Waits) playing his first show here in thirty years, my first ever opportunity to see him live, I think I can make an exception…

The Palladium was already packed when we got there just a few minutes after eight. We took a spot on the floor where it was as hot and crowded as the bowels of Hell. Somehow, that seemed kind of fitting.

The stage was set up pretty minimally with a bunch of horn like speaker-phones of varying sizes mounted on a huge trellis in the back and three more big speaker-phones up front suspended with some lights hanging down on the left side of them, giving the whole thing an off-kilter, slightly cartoonish quality. It was perfect.

At about 8:30 or so, just enough time to grab a beer at the shortest bar line we could find, Tom Waits and his band came out and launched straight into “Lucinda” from his most recent 3 disc set, Orphans. He stood center stage, dressed in a dark suit and a bowler hat. He waved his hands around, shook his fingers and bellowed it out just the way you would imagine Tom Waits would do. He was totally mesmerizing.

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Stewboss – The Places We Meet (2004)

STEWBOSS: The Places We MeetSomewhere between awesome and cool, Stewboss has always been about road trips, dreams, favorite songs, wanting to meet girls, meeting girls, losing girls, missing girls, and wanting to get back with girls – all while doing a really serious head bob to a wicked ass groove that screams for more cowbell. It’s an approach that works for them – partly because of the passion and sincerity that come with the deeply felt sentiments – and partly because of the wicked ass grooves. As far as I can tell, wicked ass grooves have never hurt anyone, except possibly the odd groin injury. Read the full article »

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Brighter Than Creation’s Dark – Drive-By Truckers

Drive-By Truckers "Brighter Than Creation's Dark"If you haven’t heard all the raving about the newest Drive-By Truckers’ release, Brighter Than Creation’s Dark, then you haven’t been paying attention! This one’s getting lots of positive press. Patterson Hood, Mike Cooley and Shonna Tucker have written the 19 songs on this 75 minute long album, which has exceeded even my expectations and I expect a lot.

I’ve been pretty much obsessed with this band since I first heard them on a scratchy cassette tape on a road trip in ’04. Got home and quickly educated myself on Southern Rock Opera (I grew up down there; it wasn’t hard to grasp!). I marinated in The Dirty South and Decoration Day and all those educational little ditties for a year or two until I emerged to A Blessing And A Curse, two nervous breakdowns, only one of which was mine, then a Rock Show, The Dirt Underneath Tour, a couple of t-shirts and I’m okay now. Read the full article »

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